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It's all a load of bollocks, quite frankly

>New Order – True Faith

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The next installment comes from one of my other favourite bands, New Order. New Order were formed from the ashes of Joy Division. After the suicide of Ian Curtis, the surviving members of Bernard Sumner, Peter Hook and Stephen Morris decided they would carry on. Without a front man they took it in turns to see who could sing. As it turns out none of them could, but Bernard drew the short straw.

My choice this week is my all-time favourite single – True Faith. This song saw them work with OMD and Pet Shop Boys producer Stephen Hague for the first time and was recorded in a ten day session along with equally good b-side “1963”. Upon its release it was available as two separate 12″ singles, a 7″ single and CD single and contained a plethora of remixes. Some good, some bad but none really improved on the original version of the song. Typical of New Order releases, the band name, song title and picture of the band were absent from the artwork. The title of the song, like many other New Order releases, was absent from the lyrics.

The song is pretty straightforward, with a great drum rhythm courtesy of Stephen Morris experimenting with machines and live drums together, a synthesized bass line and, thanks to Hooky playing the bass as if it were a lead guitar, some fantastic live bass runs.

Which version is best? There’s only one to go for – the original six minute version is by far the best version. It was remixed in 1994 for the best of compilation entitled “? – The Best of New Order”, but looses some of the sound of the original version. The radio edit versions aren’t worth bothering with and to be honest nor are the remixes. Until 1998, the live rendition of the song would be pretty faithful to the original. However, post 1998 an arrangement based on a remix was used as the template for the live performance to varying degrees of success. New Order were patchy live band, some nights would be bloody awful and some they were on fire. One thing you could be sure of though, Hooky would always put on a good show with the bass.

To promote the release of the single, a surreal video was produced. Starting off with strangely dressed dancers slapping each other on the face to the rhythm of the song, the dancing gets more and more weird. Add in a woman swaying in an upside down boxer’s bag whilst signing the lyrics to the song.

Why do I like it so much? I can’t really put a finger on it, it’s just one of those songs that sounds good every time you play it, no matter what you play it on. It’s great to play along to on the bass guitar. I love the video, it’s just brilliant. It also reminds me of past good times with mates.

Watch the promo video:

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November 2, 2010 - Posted by | Music

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